eremeyuk@gmail.com
Piano and Vocal lessons - fundamentaly
Piano and voice is not as difficult to use as many people think. It's a tool that everyone can uses every day. Of course, it takes practice to sing or play professionally, but when you know how they work, how to use and develop it, you can learn a lot.
You can start learning from scratch or continue to improve your existing level of music skills.
You can start learning from scratch or continue to improve your existing level of music skills.
ABOUT ME
Vlad Eremeev
Professional work in Great Britain, Russia, China
Professional work in Great Britain, Russia, China
Teacher and Students
Teacher and Students
eremeyuk@gmail.com
Why me?
Graduate of qualified universities:
Brunel University and Goldsmith University of London
From the Italian Bell Canto School to Overdrive and Edge
Setting up proper singing breathing
Range expansion, register alignment
Brunel University and Goldsmith University of London
From the Italian Bell Canto School to Overdrive and Edge
Setting up proper singing breathing
Range expansion, register alignment
1 Techniques for developing the flexibility of the voice box
2 Adaptation of the vocal apparatus for pronunciation of vowels
3 Melody and rhythm of speech
2 Adaptation of the vocal apparatus for pronunciation of vowels
3 Melody and rhythm of speech
Vocal lesson content
Breathing
Support
Vocal cords
Throat
Twang
Pronunciation
Mouth opening
Bell Canto vocal exercises
Music theory (classical, jazz)
Note resolution
Attacks
Volume
Pitch (registers)
Training the extreme vocal registers
Vocal range and types
Fine-tuning
Tonal deafness
Troubleshooting
Vocal modes
Metallic sound
Neutral
Curbing
Overloading
Edge (formerly ‘Belting’)
Use of vocal modes
Transitions between modes
Pitch and vocal modes
Timbre and vocal modes
Vocal modes in classical singing
Volume and vocal modes
Vowels and vocal modes
Speech techniques
Timbre
‘Epiglottic funnel’
Larynx
Tongue
Mouth opening
Palate
Nasal passage
Effects
Distortion
Creak and Creaking
Rattle
Growl
Grunt
Screams
Intentional vocal breaks
Adding air to the voice
Vibrato
Ornamentation techniques
(rapid sequence of notes)
Voice problems
Hoarseness
Warm-up
Additional techniques
Studio and concert techniques
Microphone technique
Improvisation and phrasing
Interpretation and performance
Support
Vocal cords
Throat
Twang
Pronunciation
Mouth opening
Bell Canto vocal exercises
Music theory (classical, jazz)
Note resolution
Attacks
Volume
Pitch (registers)
Training the extreme vocal registers
Vocal range and types
Fine-tuning
Tonal deafness
Troubleshooting
Vocal modes
Metallic sound
Neutral
Curbing
Overloading
Edge (formerly ‘Belting’)
Use of vocal modes
Transitions between modes
Pitch and vocal modes
Timbre and vocal modes
Vocal modes in classical singing
Volume and vocal modes
Vowels and vocal modes
Speech techniques
Timbre
‘Epiglottic funnel’
Larynx
Tongue
Mouth opening
Palate
Nasal passage
Effects
Distortion
Creak and Creaking
Rattle
Growl
Grunt
Screams
Intentional vocal breaks
Adding air to the voice
Vibrato
Ornamentation techniques
(rapid sequence of notes)
Voice problems
Hoarseness
Warm-up
Additional techniques
Studio and concert techniques
Microphone technique
Improvisation and phrasing
Interpretation and performance
Beijing gate
Beijing TV
Opening concert
Russians in Royal College of Music
Concert at the embassy
New piano
Me and Katy
Watch more and subscribe on YouTube and Rutube
Manfred Schmitz
5 x 12
The audience won’t tire of dancing
and singing along with you!
Contact us
Join in the harmony!
+447729759359
eremeyuk@gmail.com
eremeyuk@gmail.com
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All photographs, text and video material belong to their respective owners and are used for illustrative purposes only. Please do not use this content for commercial purposes.
All photographs, text and video material belong to their respective owners and are used for illustrative purposes only. Please do not use this content for commercial purposes.
